Wednesday, July 10, 2013

The New Royal Website of Oz is here!

Finally, the new version of my website, "The Royal Website of Oz," is online!

This time, I'm running the site with Wordpress. Aside from a cleaner, easier-to-use interface, this allows for easier updating and user-generated content! You can submit an Oz story or a news report, and when it's approved, it will show up under the new "Ozmapolitan" tab.

Just register for an account (scroll down to the bottom of the home page), then when you're done, go to the bar at the top of the site:
Click "New" then "Post," then write in your new page.

When you're done, click "Submit for Review" on the right. After it's approved, it will show up on the site!

Similarly, you can embed externally hosted pictures or videos using the "gallery" option. It doesn't seem we can allow user uploads at this time. (YouTube and Photobucket offer embedding codes you can use.) Once approved, these will show up on the "Picture Gallery" tab.

Also, we have online playable versions of the games, as we have had under previous versions of the website. New in the "Downloads" section is a Mac version of the Denslow font which Sam has tested for us. The two versions download together in a zip archive file, but you can install the one you need.

Also, I'm working on getting flowing HTML versions of public domain Oz and Oz-related works on the site. These will be clean, non-marked HTML versions you can download (I understand most e-readers run plain HTML), and I'm expanding the scope to all public domain works by Baum, Denslow, Thompson, Neill and Snow. Each author of the Famous Forty (and Denslow) will have a bibliography page, while the Oz books and related works are listed in the main library page.

Plus, there are links to this blog, the podcast, the wiki, and the forums, though we were unable to make a universal login for the sites we're hosting on this server (the wiki, forums and main site). We tried, but it got far too messy and it just didn't work.

Some of this is still under construction, but I hope the interactive angle will help make this one of the best Oz sites out there! Feel free to offer suggestions and the like, whether it's a site that should be listed on the links page or a new feature we could try to pull off.

Tuesday, July 09, 2013

The future of the Marvel series...

Last week, Marvel released The Emerald City of Oz #1. As the series was announced, Oz fans noticed that it said it was "1 of 5."

When the Marvel Oz comic series launched in 2008, the first series, adapting The Wonderful Wizard of Oz, was eight issues, allowing plenty of space for all of Baum's book to be shown visually, deftly adapted by Eric Shanower and drawn in a humorous manner by artist Skottie Young.

Over the next three series, adapting The Marvelous Land of Oz, Ozma of Oz and Dorothy and the Wizard in Oz, the eight-issue format continued.

That changed with The Road to Oz, which only had six issues. Most Oz fans didn't worry. The Road to Oz wasn't a complicated story, so it didn't suffer from being tightened a bit.

Several people at this year's Winkie Convention asked Eric Shanower about the cut to five issues for The Emerald City of Oz. What follows is a paraphrase of what I recall him saying with my own commentary. If there is any error in my memory, I apologize.

Sales of the Oz series has been dwindling. Since I had been able to find issues of Dorothy and the Wizard in Oz and The Road to Oz at a local shop that sells comics alongside other items, I had been under the quite false impression that sales were okay enough to keep going. However, I was unable to find the first issue of Emerald City there, and so I've had to order it, and will be getting my copy next week. (It'll be coming with the next issue of The Legend of Oz: The Wicked West, so I'll be getting two Oz comics I enjoy at once.)

However, I can't be too surprised. More and more often, I find people saying that they just wait for the hardcover collection to be released instead of buying the individual issues. Of course, what they don't quite understand is that selling the series through monthly issues then trade collections is how Marvel manages to recoup the cost of paying the people working on the series. It wouldn't be likely for Marvel to drop monthly issues and then continue the series as a series of graphic novels instead.

Of course, at this time, just about every business tries to cut extra costs, so when one branch of business isn't so successful, they either cut it or trim it. This is what Marvel is doing.

As such, Eric warned us, we shouldn't get our hopes too high up to see Skottie's take on The Patchwork Girl of Oz. That story would suffer quite a bit from being compressed to five issues as it contains many, many episodes.

That said, Eric has assured us that as long as his current agreement with Marvel is active, he will be on board with their Oz series however long it continues. If they want to renegotiate it (meaning pay him less), then he'd likely bow out. Eric loves Oz like the rest of us, but this is actual work and if he's not getting paid enough to make it worth his time, then he needs to free up that time so he can get work that will be worth it.

Fans have also thrown out the suggestion that since Disney now owns Marvel and has had a hit with Oz the Great and Powerful, perhaps they'd like to focus their Oz output. While this isn't so far-fetched, I rather find it unlikely since Marvel's been running the series under Disney's control for awhile and there is no chance of confusion of the comic series and the new film.

Whatever happens, I'd urge fans to support the Marvel series if they'd like to see it continue. If not, well, The Emerald City of Oz does make a nice stopping place.

Monday, July 08, 2013

The Characters of Oz — Jack Pumpkinhead

As this series of blogs continues, I realize I run into an unavoidable problem. A lot of characters in The Wonderful Wizard of Oz wound up being some of the most interesting Oz characters with detailed histories. As we continue into The Marvelous Land of Oz, we come up with characters who there isn't too much more to talk about after their first book. So, if these later ones aren't as good as the originals, blame it on the source material and not the guy reading into it.

Last time, we discussed the old woman known as Mombi and mentioned that she had a boy named Tip living with her who didn't like her.

While Mombi was out one day, Tip decided to frighten her with a jack-o-lantern, but instead of making it into a lantern, Tip made a wooden body for it and dressed it with some old clothes he found in Mombi's house. Setting it up in the road, he dubbed it "Jack Pumpkinhead."

Arriving home, Mombi noticed the pumpkinhead and greeted it, thinking it to be a farmer. She was shocked when she realized her mistake, but then she grew angry, and was about to break the pumpkinhead, when she remembered that she had the Powder of Life with her. She used it to bring Jack to life, and then intended that he would work for her when she made Tip into a marble statue.

Jack, having a surprisingly good basic vocabulary at his "birth," never considered himself a good thinker. He recognizes that his head is a pumpkin and pumpkins are not known for his wisdom, so he quickly looks to others for advice and guidance. This open humility makes his personality is mild and endearing.

When Tip rescues Jack from Mombi's cow stall, Jack is excited to learn that Tip made him and that he has a parent figure to turn to. Occasionally, Jack makes suggestions that are actually quite good. However, he doesn't get along well with the Sawhorse, who is a rougher, older piece of wood.

When the Sawhorse runs away from Tip with Jack on his back, Jack arrives in the Emerald City and makes a fast friend in the Scarecrow, who recognizes him as being worthy of his friendship, even though Jack's misunderstanding and foolish suggestion that he must speak a different language than the Scarecrow led to an embarrassing trick performed by Jellia Jamb.

In The Marvelous Land of Oz, Jack does little except make comments and sometimes add to the situation, constantly worrying that his head will soon spoil. It is Jack who suggests giving the Gump a tail to fly with and later, he recognizes that Ozma is still Tip, "only different."

Surprisingly, Jack has something different from most other Oz characters: Baum originally intended that Jack perished sometime after the events of The Marvelous Land of Oz. In the final pages, Baum writes:
Jack Pumpkinhead remained with Ozma to the end of his days; and he did not spoil as soon as he had feared, although he always remained as stupid as ever.
 Aside from the Queer Visitors from the Marvelous Land of Oz stories (which may or may not be canonical, depending on your personal view), Jack doesn't reappear in Ozma of Oz or Dorothy and the Wizard in Oz, though Neill did include him in some illustrations.

However, Jack was revived in The Road to Oz, in which Dorothy finds three tombstones marking the resting place of "the Mortal Part of JACK PUMPKINHEAD," each of which says he spoiled on a different date. Dorothy at first assumes he somehow died in three parts, but the Tin Woodman shows her Jack's home, a giant carved pumpkin in a pumpkin patch where Jack grows pumpkins for new heads.

Aside from visiting the Emerald City or people visiting him, this is very much where Jack stays throughout the rest of Baum's books, with the exception of the Little Wizard story "Jack Pumpkinhead and the Sawhorse" in which the two go to rescue children lost in a forest, Jack's head getting destroyed in the process, but the Wizard arrives with a fresh head for Jack. The Emerald City of Oz reveals that Jack designed the Scarecrow's corncob mansion.

Ruth Plumly Thompson gave Jack a book in Jack Pumpkinhead in Oz, where he travels with Peter around several small kingdoms in the Winkie Country. It is, in fact, Jack who meets the Red Jinn—later named Jinnicky—before any of the other of the classic Oz characters. Jinnicky gives Jack advice on how to save the day thanks to Jack thinking of using the Jinn's dinner bell to his advantage.

John R. Neill gave Jack starring roles in The Wonder City of Oz, in which he has a (second?) home in a decommissioned Ozoplane in the Emerald City and runs a symphony; and The Runaway in Oz, in which he accompanies Jenny Jump and the Woggle-Bug on their search for the Patchwork Girl.

Thanks to Jack's humble but agreeable personality, he's one of the more popular Oz characters and a great friend!

Thursday, July 04, 2013

The Law of Oz and Other Stories

I had heard Paul Dana's first print Oz book would be available at this year's Winkie Convention, so I made a point to pick up a copy in person. Paul mentioned that the copies he had weren't exactly perfect and that the print on demand versions would be corrected. A few odd formatting errors aside, there wasn't anything really wrong enough to prevent an enjoyable reading experience.

The first two stories in Paul's book were available in a slightly different form online on Joe Bongiorno's Royal Timeline of Oz website. People suggested I check them out, but I have low patience for reading long fiction from a computer screen. As such, I was glad to hear they'd be coming to a print version.

I read Paul's book on the way home from Winkies, and really enjoyed it. The first story, "Time Travelers of Oz," finds Ojo and Button-Bright meeting Ugu the gray dove and discovering the ring of time which sends them back to when Lurline enchanted Oz.  However, they get split up, Ojo and Ugu traveling with Lurline and her band, Button-Bright winding up in the middle of a Yookoohoo wedding, specifically that of Mr. and Mrs. Yoop. There's some strange developments and an exciting standoff in the city of Herku before Button-Bright, Ojo and Ugu return to the present.

The second story, "The Lost Boy of Oz," finds Button-Bright revisiting his past and discovering that it's far more complicated than he originally thought. From Philadelphia back to the Land of Oz, Button-Bright searches for his long-lost mother and discovers things about himself that he never knew before.

Story three, "The Mothers of Oz," is the shortest, flashing back to a long time ago in the Land of Oz.

The fourth and final is the titular tale "The Law of Oz," which takes all the loose ends from the previous three stories and wraps them up at last as Ozma attempts a serious measure to rid Oz of Yookoohoo magic, and as Tititi Hoochoo realizes that some wrongs have been committed.

Paul takes some unexpected twists with the Oz characters, mainly the more obscure ones, but he does it in such a way that it doesn't feel unfaithful to Baum's text. The writing style is quite enjoyable as well.

The book is illustrated by three illustrators: the first by Patricio Carbahal, the second by Gabhor Utomo, and the last two by Teresa Jenellen. There's also some samples of John R. Neill's art and a table of contents picture by Howard Pyle. The artwork is great, though Gabhor Utomo's style reminded me a bit of Stephen Gammel's illustrations for Scary Stories to Tell in the Dark. (Just, not as dark and creepy.)

Overall, I would find this a recommendable book, but I must warn that's it's only available in hardcover from Lulu. Paul happened to be able to offer a discount on the copies he had for sale at Winkies, but online, the price is $32.78.

Get The Law of Oz on Lulu.


Wednesday, July 03, 2013

The Royal Podcast of Oz — The Movies of Oz: Foreign Oz

Jared and Sam discuss two foreign language versions of The Wizard of Oz. First, it's off to Brazil with Os Trapalhões e o Mágico de Oróz (The Bunglers and the Wizard of Oróz) from 1984, then over to Spain for the Oz segment of the 1966 film Fantasia 3.

As always, you can listen and download at the podcast site or use the player below!

                       

   
   
   
   
   
   

   
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Monday, July 01, 2013

The Characters of Oz — Mombi

When L. Frank Baum began to write his sequel to The Wonderful Wizard of Oz, he took a different approach. No longer was he working closely with an artist to help tell the story, so he had to define the characters through his text more clearly than before.

Also, since the two most popular Oz characters were the Scarecrow and Tin Woodman, Baum elected not to go with a visitor from America going to Oz, the entire story would be set in Oz, and the characters would be natives. His first new character was a boy named Tip. We'll get to Tip eventually, but we'll start by looking at the second new character: Mombi!

Mombi is a practitioner of magic, Baum saying: "Mombi was not exactly a Witch, because the Good Witch who ruled that part of the Land of Oz had forbidden any other Witch to exist in her dominions. So Tip's guardian, however much she might aspire to working magic, realized it was unlawful to be more than a Sorceress, or at most a Wizardess."

This is where there seems to be distinction between witches and sorceresses in Oz. Witches seem to have some innate power (some adaptations of Oz—like The Witches of Oz and Oz the Great and Powerful—maintain that witches need talismans for their powers, and in later books, we meet Yookoohoo witches who this is quite the case for) that they may have sold their beauty, youth, and even possibly their names for. Sorceresses (such as Glinda) find other ways to use magic through tools, herbs, incantations, potions and the like.

What we discover about Mombi later in Dorothy and the Wizard in Oz is that she may very well be an ex-Witch. That book establishes that before the Good Witch of the North took the Gillikin Country, Mombi was the Wicked Witch of the North until she was conquered by the Good Witch of the North. What seems curious is that Baum gives Mombi a name, but not the other two Wicked Witches that we met in Wizard. I have theorized that perhaps those Witches gave up their names for magic power. Perhaps Mombi refused to sell her name, so her magic was not as strong. Or perhaps the Good Witch of the North managed to take away her powers by restoring her name to her.

Ozma says that Mombi had the job of jailer for the Kings of Oz, specifically her grandfather and father. This is how she says that Mombi stole her as a baby. But if we take a revisionist angle and try to reconcile the accounts in The Marvelous Land of Oz and Dorothy and the Wizard in Oz, then she apparently used her (former?) position for the kings to assure the Wizard that she would faithfully take care of Ozma when he decided to turn her over to Mombi. As I suggest in my blog about the Wizard, he didn't do it to get the heir out of his way to the throne, but so that she would be safe in case his newly-built Emerald City was attacked by the Wicked Witches. Who else would be better at tricking the Wicked Witches than an ex-Wicked Witch?

Mombi says that the Wizard taught her "all the magical tricks he knew. Some were good tricks, and some were only frauds..." Since we know the Wizard wasn't a real practitioner of magic at the time, this seems to be what led her to realize that she could be a Sorceress instead of a witch. At any rate, I suggested that since the Wizard did not have an heir to his throne, he seems to have intended to hold it until Ozma would be of age.

Probably most of my blog readers know that Mombi turned Ozma into a boy she named Tippetarius, but went by "Tip" most often. She made Tip work for her, and while she wasn't a pleasant guardian, she did no serious harm to him. Baum goes so far as to say that Tip "sometimes showed less respect for the old woman than he should have done." My own theory is that the Wizard made Mombi promise not to harm Ozma or he would be able to tell and punish her. It was hokum, but the threat worked. And, quite possibly, she knew that if she was caring for the future ruler of Oz, it would be in her best interest to stay in her relatively good graces.

So, why didn't Mombi get rid of Tip as soon as the Wizard left Oz? My own thought is that she began to check if he was still keeping track of her. This process took quite some time, months, most likely, before she realized she was safe. Then, she determined to turn the boy into a marble statue to be rid of him for always. After all, the Scarecrow was King of Oz, so it wouldn't leave Oz without a ruler.

But things didn't work out that way. Mombi returned home from visiting Dr. Nikidik and buying ingredients to finish a potion to turn Tip into a marble statue. (If we go with the idea that Dr. Nikidik and Dr. Pipt were one and the same, then this potion was likely the Liquid of Petrifaction, and Mombi didn't really need to have Tip drink it, but only have it make contact with him.) Just before this, she discovered the recently-created Jack Pumpkinhead just outside her home and brought him to life with the Powder of Life. After telling Tip how she'd transform him, she went to bed and woke up to an empty house, Tip and Jack having run off during the night with the Powder of Life.

According to Baum, "Mombi was furious at the trick Tip had played upon her as well as at his escape and the theft of the precious Powder of Life," but she doesn't seem to go track him down, The Marvelous Land of Oz clearly saying that General Jinjur sent for her to stop the Scarecrow's return to the Emerald City. Mombi managed to get to the Emerald City very quickly and used her magic to try to prevent the Scarecrow's return. It's possible that she made the Gump fly the wrong direction so that it wouldn't reach Glinda's palace.

When Glinda arrives at the Emerald City, she demands that Mombi be turned over to her. Mombi swaps forms with Jellia Jamb, but Glinda quickly sees through this deception. Mombi then turns herself into a rose on a bush and believes she's fooled Glinda, until the Tin Woodman picks her and wears her into Glinda's tent. Glinda grows suspicious, forcing Mombi to transform into a series of forms until she turns into a griffin and flies away. Glinda manages to overtake Mombi, who eventually tires and forces her to reveal what became of Ozma, checking Mombi's words with her pearl of truth.

Glinda promises that Mombi will be made to forget her magic after she restores Ozma, and Ozma promises to see that Mombi's cared for until she dies.

And that was all that Mombi did under Baum's pen. Later, in The Tin Woodman of Oz, the Scarecrow actually gives a description of Mombi: "an old person with wrinkled skin and half her teeth gone."

Thompson, however, does a bit more with her. Mombi plays an important role in two of Thompson's books, neither of which are especial favorites among Oz fans (though they do have favorite characters and moments), but I'll look at the latter one first.

The Giant Horse of Oz reveals that Mombi fell in love with King Cheeriobed of the Ozure Isles in the Munchkin Country (why was she in another witch's domains?), but was rejected by him in favor of Orin. After Prince Philador was born, Mombi kidnapped Orin and attempted to turn her into a Wicked Witch, but Orin turned into a Good Witch and took the role of Good Witch of the North somehow. To top it off, she prevented any exit from the Ozure Isles with a monster she whipped up named Quiberon. She was also responsible for "liquifying" Dr. Herby and presumably bottling him.

However, Mombi was not brought to answer for her crimes due to the prior events in The Lost King of Oz in which she remembers that Pastoria isn't dead, she only enchanted him. Traveling Oz with Snip the Button Boy and Pajuka (the former Prime Minister of Oz, who she had transformed into a goose), she decides to find and restore Pastoria so he'll take the throne from Ozma. Pastoria is found and restored, but he abdicates in favor of Ozma, and in return for all her efforts, Mombi is executed.

The way it happens is one of Thompson's worst moments, which is the worst point of the book. Kind, sweet Dorothy is the one to suggest that Mombi be done in, and Ozma agrees in an rather uncharacteristic fashion. Sir Hokus of Pokes and the Scarecrow carry her to the Forbidden Fountain and return with her shoes, suggesting that she melted like the Wicked Witch of the West.

And she was never heard from again in the Famous Forty Oz books.

I typically stay away from non-Famous Forty stories in these blogs, but in Mombi's case, it's impossible to. In a fine little story called "Sunday Visits" by Michael Pickens (appearing in Oz-Story Magazine #4), it is revealed that Ozma herself would deliver food to Mombi every Sunday and send her help when needed. I'd read this story long before I read Lost King (though I did have what happened in the end spoiled already), so taking it as a "real" Oz story makes Ozma's actions in Lost King seem even more uncharacteristic.

David Tai, in Oziana 2008, presented "Executive Decisions" which has a live Mombi actually enter the Emerald Palace to have an audience with Dorothy. Mombi curiously doesn't recognize Dorothy or Trot or Betsy, so they investigate Mombi's reappearance. What they discover is that Ozma staged Mombi's execution so as not to appear weak in front of her father, so Mombi's memory was wiped (keeping her original name, so she'd have some connection with her true identity), and the memories of Omby Amby, the Scarecrow and Sir Hokus were all manipulated into believing that Mombi had really been killed.

Also in that issue of Oziana was Jeff Rester's "Thy Fearful Symmetry" which reveals that Mombi made the Hungry Tiger feel endless hunger. And after that, please, can we stop putting more blame on this old woman?

Well, I am planning a new Oz story that will include Mombi, so she'll probably have a few more wicked deeds under her belt by the time I'm done...

It never sat well with me that Mombi would melt. The Wonderful Wizard of Oz makes it clear that the Wicked Witch of the West had "dried out," and given that Baum tells us that Mombi works with potions, it's clear she has no aversion to liquids. We are only told that Mombi is an old woman, not that she is dried out. Thus, there's no real textual basis that Mombi should melt, unless you go with the idea that all witches melt when exposed to water.

At any rate, whether you stop at Baum or include David Tai's new ending to Mombi's story, she lives in the Gillikin Country once again, an old woman who can't do you any harm aside from hitting you with her stick.

Sunday, June 30, 2013

Highlights of the 2013 Winkie Convention

In addition to the podcast we posted, here's a video containing most of the footage I filmed at the Winkie Convention this year.


Sam and I just recorded the new Movies of Oz podcast, filling in some foreign language Oz movies that you probably haven't seen, and I'm already editing, but keep an eye out for some book reviews and "The Characters of Oz: Mombi" coming soon.

Saturday, June 29, 2013

Songs in the Key of Oz

One of the undisputed highlights of the 2011 Winkie Convention was a concert given on Saturday night by Joe Cascone and David Haines. Called "Songs in the Key of Oz," Joe and David presented a number of Oz songs from the past 109 years. It was delightful, even though it was just two men and a piano.

This year at Winkies, I was helping at at the Swap Shop and Joe and David arrived and set up a table right next to us. They unveiled a "Songs in the Key of Oz" CD and I had to get one! So, I bought two, one for me, and one for Sam, since I knew he'd want one. (He paid me back.)

The CD is quite different from the 2011 Winkies concert. It's from a later performance, as Joe and David have apparently performed this several times since. You can hear David Maxine introduce them at the beginning of track 1, but that's all there is from Winkies.

The first track is a medley of songs about the Emerald City. I remember that it marked the first time I clearly heard the "There's a garden spot I'm told/Where's it's never too hot and it's never too cold" additional opening lyrics for "The Merry Old Land of Oz." Those lyrics open this medley, then slide right into "One Short Day" from Wicked! Also embedded were lyrics from "The Emerald City" from the Happy Time Players/Mr. Pickwick Players Wizard of Oz story album, the "Seen Green" segment from The Wiz Emerald City song sequence, and original to the CD (not at Winkies), some of "The Emerald City" song from Joe and the late J.P. Doyle's musical adaptation of The Wonderful Wizard of Oz. It makes for a wonderful opening.

Then there's a cover of "The Wonders of Oz," the song from the 1964 Return to Oz. Then, Joe introduces and moves into songs from the original Oz musical extravaganza. The duo perform the Scarecrow's song (which was not performed at Winkies), the quickly-dropped "Guardian of the Gate" song, "When We Get What's A-Coming To Us," and "Hurrah for Baffin's Bay."

Then, there's a lively rendition of "What Did The Woggle Bug Say?" Having once made a MIDI straight from the sheet music, I noted the music was re-orchestrated to be more lively, and sure enough, the reason for that is made clear after they got through all the verses. David got up and held up a banner with the lyrics on it, inviting the audience to sing along!

Next up are songs from The Woggle-Bug ("My Little Maid of Oz"), The Tik-Tok Man of Oz ("The Clockwork Man"), and Baum and Louis F. Gottschalk's abandoned musical adaptation of The Patchwork Girl of Oz ("The Shaggy Man Song"/"A Song of Ozland").

Then, there's "two songs from a movie you may have seen," "Ding-Dong! The Witch is Dead!" and "The Jitterbug" from the MGM film The Wizard of Oz. "Ding-Dong!" contains the opening lyrics not in the film, "Once there was a wicked witch in the lovely Land of Oz..." "Jitterbug" has a different opening verse than what was intended for the film. ("Listen all you chillun to that voodoo moan/There's a modern villun worser than that old boogie woogie/When that goofy critter spots your fancy clothes/He injects a jitter, Starts you dancing on a thousand toes, There he goes!")

Next up is a medley of songs from the abandoned Disney film, The Rainbow Road to Oz, using two songs from the Disneyland segment ("Patches" and "The Rainbow Road to Oz") and two songs that wound up on The Cowardly Lion of Oz album with some different lyrics ("Living a Lovely Life" and "If You Believe" with different lyrics as "Why Don't They Believe?"). This year at Winkies, Joe and David performed the medley again, but with a new song, "The Lost Princess of Oz," added to the mix. How on earth they turned up all this material is simply astonishing! (To clarify, "Lost Princess" is not on the CD.)

Then comes two songs from one of Joe's favorite Oz films, Journey Back to Oz: "There's a Faraway Land" and "Keep A Happy Thought." These are followed by "The Wonderful Land of Oz," the main song from the Banner Elk "Land of Oz" theme park. Then, there are two songs from The Wiz: "Don't Nobody Bring Me No Bad News" and "If You Believe."

Jumping ahead over 20 years, we get to the latest stage versions of Oz with "No One Mourns the Wicked" and "Wonderful" from Wicked, and the original song "Already Home" from Andrew Lloyd Webber's adaptation of The Wizard of Oz. (Trivia: when the song was performed at Winkies, it was actually the first time it was performed in North America.)

The concert on the CD closes out with what Joe and David bill as the quintessential Oz song. What it is, I won't spoil it for you!

A major difference between the concert preserved on CD and the performance at Winkies is that after a break, Joe and David performed several songs from Joe and J.P. Doyle's musical adaptation of The Wonderful Wizard of Oz, using a bit of narration to tell the familiar story with the songs. Perhaps this was a Winkies exclusive, but at the end of that, they gave an encore piece that mixed several songs to give the performance a grand finish. That finale is not on the CD, so attendees of the 2011 Winkie Convention experienced something that perhaps no other audience has.

The exclusion of the songs from Joe's musical from the CD is all right, considering that there has been two CDs of cast recordings released. The former was for sale by Hungry Tiger Press, the second is available directly from the Civic Light Opera Company. While it's not the same, you can at least hear those wonderful songs at home in some form.

The CD of "Songs in the Key of Oz" contains three bonus tracks: "If I Only Had A Brain," from Joe's CD "Show Tunes I Do," which actually covers the songs of all three of Dorothy's friends from the MGM film, plus those additional opening lyrics! ("Said a scarecrow swinging on a pole/To some blackbirds sittin' on a fence/Oh, the Lord gave me a soul/But, forgot to give me common sense./If I had an ounce of common sense...") The next two tracks are excerpts from the above linked CD of Joe's Wizard of Oz musical, David's Cowardly Lion song "'Fraid Not!" and Joe's L. Frank Baum number, "Just a Touch of Humbug," which is one of the best numbers in the show. (But believe me, picking out a bad number from that one is really tough!)

My only complaint with the CD is that the sound is a little low. I usually rip my CDs, put the files on my mp3 player and listen to it on the go, but unless I was in a quiet place, listening was a little difficult, even with the volume turned all the way up. As such, this is more of an album to sit back and enjoy.

And now you're wondering "How do I get a copy?" Well, Hungry Tiger Press is selling it! You can get your copy here.

Friday, June 28, 2013

The Royal Podcast of Oz: The 2013 Winkie Convention!

Jared and Sam report live from the 2013 Winkie Convention, celebrating the centennial of The Patchwork Girl of Oz! Plus, some appearances by Eric Gjovaag and Shawn Maldonado.

As always, you can listen and download at the podcast site or use the player below!

                       

   
   
   
   
   
   

   
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Wednesday, June 26, 2013

Some updates!

Well, just back from the Winkie Convention. Sam and I recorded a podcast reporting on it, which will be out soon. I've also uploaded over 300 photos on Facebook.

I got a lot of Oz stuff, some of which I'll be talking about over the coming weeks. But first, let's get some new arrivals out of the way...

 A new little company called Actual Film Votive is selling a unique collectible for film fans using prints from junked film copies made for screening. These cells are not from original negatives or master film copies of the films.

The cells are mounted on a votive candle holder. "But wait!" you might say. "Won't the candle ruin the film?" It might, which is why a tiny LED light is included. It doesn't project the image on a surface, but it does let the light show through, letting you see a tiny image of one of your favorite movies.

At this time, votives are available with film cells from The Bride of Frankenstein, Ben Hur, King Kong, Singin' In The Rain and, of course, The Wizard of Oz. The guys who run the site have nicely sent me a Dorothy cell votive so I can see it for myself to get the word out. And it's a very nice little piece! Rather than trim it, you actually get a whole slice from the film reel, including the spokes that made it turn through the projector and the soundtrack actually on the film. Each one is $12, plus $3 for shipping in the US. (Price subject to change.) To read more and order one (or more) for yourself, go to their website.

 I also came home to issues 7 and 8 of The Legend of Oz: The Wicked West, which reveal more about this version of Oz and its take on Tip. Also, we see what might be the Wicked West version of Tik-Tok? The Tip and Jack Pumpkinhead storyline wraps up for now, but there's still quite a bit more story to go on!

Finally, I was surprised to discover that the 1933 Wizard of Oz cartoon by Ted Eshbaugh has been remastered in high definition! The comparison between this new version and the previously available one is amazing! The sharpness and clarity is evident and lets us see what a beautiful cartoon it actually was.

The cartoon will be released on Blu-Ray by year's end with a number of Eshbaugh's shorts in high definition. It's amazing because the cartoon is in public domain, and anyone could do it. I really hope we'll give the restoration folk a big "Thank you!" for this labor of love by buying the Blu-Ray (Region Free) when it's available.

More information and screencaps can be found here.

Now imagine how wonderful it would be if someone gave the silent Oz films the high definition treatment! Winkies featured a screening of The Patchwork Girl of Oz silent film from a real film print, and it looked gorgeous!