Russia should really get out of Ukraine's business and make some good movies like the one Sam and Jay watch and discuss in this episode!
To watch the trailer yourself, go here: https://www.youtube.com/watch?v=p3-d9qg9Ew4
Russia should really get out of Ukraine's business and make some good movies like the one Sam and Jay watch and discuss in this episode!
To watch the trailer yourself, go here: https://www.youtube.com/watch?v=p3-d9qg9Ew4
In a special entry of The Royal Podcast of Oz, Jay sits back as Sam Milazzo talks with comics writer Andy Mangels and artist Anna-Maria Cool about The Patchwork Girl of Oz graphic novel, a project you can back on Kickstarter to help bring it to life!
https://www.kickstarter.com/projects/andymangels/the-patchwork-girl-of-oz-book-one
Please consider backing this project. There's a wide variety of perks from pins and digital books about the history of the Patchwork Girl to paper dolls to the comic itself, variant covers, and even original dolls based on the characters! Andy and Anna explain in the podcast that the book is going to be a gorgeous volume. You will want to own this book!
Well, there's two episodes I haven't posted about on here yet. To stay on top of the podcast, be sure to follow The Royal Podcast of Oz on your favorite podcast service.
Last month, Angelo Thomas and I went frame by frame for the first look trailer for the movie adaptation of Wicked.
Meanwhile, last week, Erica Olivera joined Sam and I to discuss the short film Heartless: The Story of the Tin Man. (This has explicit language. If you know Erica, you get it.)
As a part of the process of reissuing the film, it is sent to the BBFC—the British Board of Film Classification—for reclassification. "Classifying" a film for the UK works like the MPA—the Motion Picture Association—in the US. The film is given an abbreviation with a recommendation about the audiences the film would be best suited for.
"U" in the UK is "Universal," meaning it's fine for anyone to watch, similar to the US' General audiences or "G" rating. Next is "Parental Guidance" or "PG," which is the same in the US, that there are some elements that might require adults to help their kids process. The UK's "12A/12" is a similar to the US' "PG-13," in that the film is not recommended for audiences under the age of 12 or 13. (12A is for cinema releases, while 12 is for video releases.) The analog to the US' "R" or "Restricted," indicating intense subject matter is a little more varied with 15 and 18 ratings, recommending them for those ages and up.
In any case, what's been making news is that The Wizard of Oz was previously released under a "U" classification and is now being classified as "PG." The reason is for "offensive language."
This took Oz fans by surprise as it's a film from 1939, what offensive language could there be?
The answer is during the song "If I Were King of the Forest," the Cowardly Lion states the line, "What makes the hottentot so hot?"
I was aware of this line as the word "hottentot" is similar to "Tottenhot," a controversial group in the book The Patchwork Girl of Oz. Baum clearly flipped some letters around and put a parody of an African tribe into an Oz book.
And you should already guess what a "hottentot" is, a derogatory term for a stereotype of an African native, depicted as an animal skin-wearing person who is hostile, not intelligent, being compared more to an animal than a human being. It seems it originated from Dutch people about the Khoikhoi tribe of southern Africa, who used a lot of clicking sounds in their language, sounding to the outsiders like stuttering, or "hotteren-totteren" in German.
You should already get why this word is considered offensive. While it's largely fallen out of general use, it was a common term thrown around that got alluded to in the Oz books and actually popped up in the most famous version of Oz.
As we've begun to respect the humanity of more groups given our increasing communication between societies thanks to widespread media and the internet, derogatory terms for people have begun to be seen as unacceptable in civil conversation. It says less about the people who these terms are meant to describe and more about the people who continue to use them. We recognize people as people, acknowledging their different cultures and backgrounds. If you use terms that have been historically used to deride groups, you're basically trying to keep that tradition alive. People aren't offended that you hurt their feelings, they're offended that you're being a jerk.
So yeah, essentially, the rating changed because of a word that's been there all along. Most of us didn't give a single thought to the word when we first saw the movie and likely most young audiences wouldn't either. But a lot of us are likely people who this word wasn't meant to describe. The people who it does are people too and they deserve their dignity.
May I add that the new classification isn't banning the film, it isn't suggesting that people not watch it, it simply tells people that there's a topic in here parents might want to handle with their kids.
And remember, the MPA actually gave The Wizard of Oz a new rating when the 3D version debuted in 2013, the scare factor of the Wicked Witch and the Winged Monkeys increasing the rating from G to PG.
And ultimately, the classification recommends parents watch the movie with their kids, and isn't a family enjoying the movie together one of the best ways to watch it?
* Yes. 5 years ago, to this day.
Happy Anniversary to this special event with a long-awaited overdue Blog (originally intended as a Baum Bugle article, but never happened.)
Despite being the streaming service that made streaming by subscription a thing, it's not until now that Netflix has turned their heads to having an Oz-based show. (Amazon has Lost in Oz and Warner Brothers' Boomerang had Dorothy and the Wizard of Oz as a streaming exclusive before it moved to broadcast.)
Dee and Friends in Oz is aimed for a preschool audience, featuring child characters inspired by The Wonderful Wizard of Oz in a brightly-colored magical world.
Dorothy "Dee" Davis from New Jersey is visiting her grandmother when she discovers the music box in her room can be unlocked with a key, transporting her to the wonderful world of Oz, where the kind Miss Emerald shares magic with everyone from her Wonderful School of Oz.
The show has three parts currently on Netflix. It's officially broken into two seasons, with the first season being a single 48 minute episode establishing the lore of the show before the 16 episode proper season begins. The episodes break into two 8 episode arcs. (Wikipedia says these are separate seasons, but Netflix lists it as a single season.)
In the prequel, we meet Miss Ruby, the villainous sister of Miss Emerald, who wants all the magic of Oz for herself. We also meet her minion Stuffley, a teddy bear with mechanical wings that allow him to fly. Miss Ruby locks Miss Emerald in her school and begins draining Oz of its magic, while Dee heads down a multicolored brick road, meeting new friends Tin, Scarecrow and Lion who join and help her out.
The first eight-episode arc has Dee begin finding the four magic gemstones that will create the Gemstone Loop, creating a magical transit system around Oz. Stuffley at first tries to get the gemstones for himself, but eventually decides to help Dee and reforms.
In the second arc, Miss Ruby returns to find four crown pieces that will give her great power and let her take the title of the Wizard of Oz, with Dee and her friends trying to find the pieces first.
As you might have guessed, this isn't a straightforward adaptation of Oz lore. Tin, for example, lives in a town of tin people like himself, and doesn't have the tragic origin of Nick Chopper from the original Baum books. Scarecrow is a young boy from a village of living Scarecrows. Only Lion isn't shown to have a family.
In the first batch of eight episodes, we also meet magic-working girls Eastyn and Westyn who happily join the school. Instead of Munchkins, Winkies, Gillikins or Quadlings, we have the Ozlings, humanoids with acorn-shaped heads. They reminded me a bit of the Munchkins as they appeared in Tales of the Wizard of Oz.
There's a few other nods to other takes on Oz. Dee's grandmother looks very similar to Miss Emerald and they are both voiced by LaChanze. Similarly, all five of the other students in the school have counterparts in children who live around Dee's grandmother's apartment with their clothing and hair suggesting the characters they are similar to and being voiced by the same performers. (They seem to have gotten an age-appropriate cast, so I wouldn't be surprised if there's eventual recasts if the show keeps going.)
At the start of the second arc, Dee is reading her own chronicle of her Oz adventures to the neighboring kids who love it and want to hear more, but Dee says that her new adventures haven't happened yet before her key starts glowing and she hurries back to Oz. This struck me as being similar to how Baum eventually settled on the idea that Dorothy relayed him Oz adventures he'd write into books, but now, our Dorothy character is telling her story herself.
Miss Ruby is basically a classic Oz villain, whose wickedness is based around only caring about herself, stealing all the magic and taking over Oz. Miss Emerald is the opposite, wanting to share magic with everyone, keeping Oz a bright, happy and welcoming place.
Stuffley's reformation feels like a nice Oz-appropriate character development. He's voiced by James Monroe Igleheart, who originated the Genie in Disney's Broadway adaptation of Aladdin, recently going to the Broadway production of Spamalot, working with Oz fan Michael Urie and original Wicked Broadway Boq Christopher Fitzgerald and Wicked movie Boq Ethan Slater. He also voiced Calvin Carney and the Jitterbug in Tom and Jerry: Back to Oz.
To be clear, I'm writing this after watching the first ten episodes and the prequel so I haven't watched it all yet, only watching one episode a day, but I've got a pretty good feel of the show.
While this might not be the Oz adaptation of your dreams, it's a fun take on Oz if you need a bright-colored escape for a moment now and then, or if you have appropriately-aged kids who you want to get into Oz.
An additional thing I noticed is that while I have an ad-supported Netflix plan, ads don't play during these episodes. It might be just for Netflix Kids programming, though I don't watch much of that.
Jay and Sam review Santa's Castle, a film adaptation of L. Frank Baum's A Kidnapped Santa Claus.
The version of "Carol of the Bells" at the end.
Stay tuned for a bonus episode coming later this week!
We have new episodes for The Royal Podcast of Oz!
The Movies of Oz: Tom and Jerry in Oz
It's a double feature as Jay and Sam Milazzo discuss Tom and Jerry's take on MGM's The Wizard of Oz from 2011 and then they turn to its far more worthy sequel in 2016's Tom and Jerry: Back to Oz.
<iframe src="https://podcasters.spotify.com/pod/show/the-royal-podcast-of-oz/embed/episodes/The-Movies-of-Oz-Tom-and-Jerry-in-Oz-e2cqbuv/a-aamq9tm" height="102px" width="400px" frameborder="0" scrolling="no"></iframe>
Angelo Thomas Interviews Kirk Thatcher
Angelo Thomas gives us a holiday surprise with an interview with Kirk Thatcher, director of The Muppets Wizard of Oz.
<iframe src="https://podcasters.spotify.com/pod/show/the-royal-podcast-of-oz/embed/episodes/Angelo-Thomas-Interviews-Kirk-Thatcher-e2d31p4/a-aanlg0j" height="102px" width="400px" frameborder="0" scrolling="no"></iframe>
There's another episode of Movies of Oz coming very soon.
Well, yesterday I saw the movie was on the free streamer Tubi and decided to check it out.
This is not a straightforward adaptation of The Wonderful Wizard of Oz. We open with a quick rundown of the origin of the book, and a reveal of its sequels and many of its adaptations and a note that children in Italy also enjoy the book while at school.
Moving onto children rapping, we see some what appears to be behind the scenes shots of the crew working with the children who play the students in a classroom that a substitute teacher is taking over the Italian lesson. The children did reports on the first chapter of the book, which get presented with some charming cheap animations depicting how the children are reimagining the story.
The substitute is taken with the children interacting with the story and wants to complete the story with them, despite higher ups at the school wanting her to stick to a lesson plan. This includes scenes from the story, often with twists from the original text, played with the children as Dorothy and her friends and people who work at the school filling in for other Oz characters. The CGI shots are clearly CGI, but given that this is how a class is imagining the world of Oz, we can accept it.
While anyone wanting a great Oz adaptation or a new Oz story in film might be disappointed, I thought The Little Wizards of Oz was fairly charming in how it celebrates Oz stimulating the imagination. I was also reminded of the documentary film Yellow Brick Road about a special needs school putting on a performance of The Wizard of Oz, except that followed a real production at a real school, while the story of Little Wizards is fiction. But both are about people connecting with the story of The Wonderful Wizard of Oz.
As I've picked up DVDs and Blu-Rays with less Oz content before, I might very well get a copy of Blood on Melies' Moon to own a copy of The Little Wizards of Oz in my collection.