Wednesday, June 26, 2013

Some updates!

Well, just back from the Winkie Convention. Sam and I recorded a podcast reporting on it, which will be out soon. I've also uploaded over 300 photos on Facebook.

I got a lot of Oz stuff, some of which I'll be talking about over the coming weeks. But first, let's get some new arrivals out of the way...

 A new little company called Actual Film Votive is selling a unique collectible for film fans using prints from junked film copies made for screening. These cells are not from original negatives or master film copies of the films.

The cells are mounted on a votive candle holder. "But wait!" you might say. "Won't the candle ruin the film?" It might, which is why a tiny LED light is included. It doesn't project the image on a surface, but it does let the light show through, letting you see a tiny image of one of your favorite movies.

At this time, votives are available with film cells from The Bride of Frankenstein, Ben Hur, King Kong, Singin' In The Rain and, of course, The Wizard of Oz. The guys who run the site have nicely sent me a Dorothy cell votive so I can see it for myself to get the word out. And it's a very nice little piece! Rather than trim it, you actually get a whole slice from the film reel, including the spokes that made it turn through the projector and the soundtrack actually on the film. Each one is $12, plus $3 for shipping in the US. (Price subject to change.) To read more and order one (or more) for yourself, go to their website.

 I also came home to issues 7 and 8 of The Legend of Oz: The Wicked West, which reveal more about this version of Oz and its take on Tip. Also, we see what might be the Wicked West version of Tik-Tok? The Tip and Jack Pumpkinhead storyline wraps up for now, but there's still quite a bit more story to go on!

Finally, I was surprised to discover that the 1933 Wizard of Oz cartoon by Ted Eshbaugh has been remastered in high definition! The comparison between this new version and the previously available one is amazing! The sharpness and clarity is evident and lets us see what a beautiful cartoon it actually was.

The cartoon will be released on Blu-Ray by year's end with a number of Eshbaugh's shorts in high definition. It's amazing because the cartoon is in public domain, and anyone could do it. I really hope we'll give the restoration folk a big "Thank you!" for this labor of love by buying the Blu-Ray (Region Free) when it's available.

More information and screencaps can be found here.

Now imagine how wonderful it would be if someone gave the silent Oz films the high definition treatment! Winkies featured a screening of The Patchwork Girl of Oz silent film from a real film print, and it looked gorgeous!

Friday, June 21, 2013

Baum's Road to Oz: The Dakota Years

This little book might not look like much, and some casual Oz fans might not be interested at all. What it is a collection of two essays by Michael Patrick Hearn and Nancy Tystad Koupal about Baum's life in Aberdeen, South Dakota.

This time in the frontier is believed to be one of the most critical influences on Baum's later life, and Koupal believes that it is one of the most misunderstood sections of Baum's life due to how under-documented it is.

Hearn takes us to the baseball diamond in "The Wizard Behind The Plate" as he examines the baseball phenomenon during Baum's time in Aberdeen, including Baum's own contribution to it and the earliest connections of Oz and baseball.

Following it is a selected number of verse by Baum about baseball.

Next up is Koupal's extensive essay about Baum's interest in Spiritualism and his writing during Aberdeen, examining the times and Baum's activities extensively, putting it all in context. Following this is a generous selection of Baum's work from The Aberdeen Saturday Pioneer.

Mark I. West examines "The Dakota Fairy Tales of L. Frank Baum," looking at stories from Animal Fairy Tales and Twinkle and Chubbins that deal with distinctly Dakota-based settings and themes. Following this is Baum's story "The Discontented Gopher."

Almost a hidden Easter egg in the book is the Appendix. It's listed as an "Appendix" in the table of contents, but when you get to it, it's the essay "What Children Want" by Baum himself, in which he discusses what he believes children ask for in their stories. I think he gets many points right: the blatantly moralized story from childhood is forgotten in the splendid wonder tale they enjoyed.

It dates from November 1902, and contains a good piece of evidence that Baum wasn't really incensed against W.W. Denslow after they parted ways. He writes that "I am not sure that the great modern illustrators of children's books, such as Peter Newell, Oliver Herford, Fanny Y. Cory, and W.W. Denslow, are not worthy as much as much love and reverence as the great story-writers themselves." (Cory also illustrated The Master Key and later The Enchanted Island of Yew for Baum.)

Baum's Road to Oz: The Dakota Years seems to be out of print, and is going for over $30 on any site I can find. However, for anyone wanting to read up on Baum's life, I'd highly recommend this one.

Thursday, June 20, 2013

Comic book update! The Legend of Oz: The Wicked West!

 Well, I fell a little behind on this series. I forgot to order the latest issues right away, and when I did remember, I realized I ordered the latest issue without getting the issue just before it.

Issues 4-6 of The Legend of Oz: The Wicked West bring the Tin Man, Lion, Tip, and the mysterious bandit-type Jack Pumpkinhead to the palace of Glinda, where Jack reveals who he is and how the Princess Ozma disappeared from Oz years ago.

Meanwhile, we learn more about Jinjur, why she's revolting, and how she joins forces with the mysterious old witch Mombi. Plus, we get a look at where and who Toto (Dorothy's horse) has gone to.

 Missing from the main series is the enigmatic and mute Scarecrow girl. However, she gets a spin-off two-issue mini-series in Legends of Oz: Scarecrow.

Scarecrow goes to the town of Denslow and gets a less-than-warm welcome, but she soon discovers that the safety of the town may be in her hands.

If you're behind (and it seems I am, since 7 and 8 are already out), get caught up! And if you haven't started, get the trade paperback and get started!

Wednesday, June 19, 2013

The Characters of Oz — Glinda

Well, the Wizard was not able to grant Dorothy's wish after all. Not only did he not really have magical powers, when he'd tried through humbug and a hot air balloon, he had accidentally left without her. Could anyone help Dorothy?
"This little girl," said the Scarecrow to the soldier, "wishes to cross the desert. How can she do so?"
"I cannot tell," answered the soldier, "for nobody has ever crossed the desert, unless it is Oz himself."
"Is there no one who can help me?" asked Dorothy earnestly.
"Glinda might," he suggested.
"Who is Glinda?" inquired the Scarecrow.
"The Witch of the South. She is the most powerful of all the Witches, and rules over the Quadlings. Besides, her castle stands on the edge of the desert, so she may know a way to cross it."
"Glinda is a Good Witch, isn't she?" asked the child.
"The Quadlings think she is good," said the soldier, "and she is kind to everyone. I have heard that Glinda is a beautiful woman, who knows how to keep young in spite of the many years she has lived."
 So Dorothy and her friends set out south from the Emerald City to find Glinda to ask her for help. After facing fighting trees, a village of china people, a giant spider that the Cowardly Lion had to kill, and an encounter with the Hammerheads that caused Dorothy to use the Golden Cap one last time, they finally arrived at Glinda's palace.
She was both beautiful and young to their eyes. Her hair was a rich red in color and fell in flowing ringlets over her shoulders. Her dress was pure white but her eyes were blue, and they looked kindly upon the little girl.
 Glinda knew the secret of the silver shoes, and told it to Dorothy in exchange for the Golden Cap. According to what she said, she then gave the Golden Cap back to the the king of the Winged Monkeys. (Or, that's what we assume. The Scarecrow says she commands their services later. What this line means, we don't know.)

Glinda is far more instrumental in The Marvelous Land of Oz, enlisting the Scarecrow and his friends to help her find Mombi to compel her to reveal what happened to Ozma. Seeing through Mombi's tricks, Glinda forces the truth out of the old woman.

But more importantly, Marvelous Land makes it clear that Glinda was well around when the Wizard had his reign. She says that she had spies who kept an eye on him, so it's clear that she knew that he wasn't really a Wizard.

The early Oz books make it clear that Glinda is very knowledgeable about magic: not only does she know how the Silver Shoes work, she is also well aware of what would happen to the Magic Belt if Dorothy used it to get home.

The Emerald City of Oz, however, tells us that Glinda has been around for a long time. Perhaps even centuries. Ozma tells this legend:
"It is said that once—long, long ago—a wicked King ruled Oz, and made himself and all his people very miserable and unhappy. So Glinda, the Good Sorceress, placed this fountain here, and the King drank of its water and forgot all his wickedness."
It seems that Glinda rarely acts without being bidden or visited. In Wonderful Wizard, Marvelous Land, Ozma of Oz and The Emerald City of Oz, Glinda doesn't get involved until she is asked. But in Emerald City, she does act unbidden in a way: she creates the Barrier of Invisibility before Ozma can ask her to. And in the above quote from the same book, she appears to act unbidden as well.

More famously is how in Tik-Tok of Oz, she discovers Queen Ann and her army setting out to conquer the world and sends them outside of Oz. Now, it can be argued that the creation of the Barrier was because she knew this would be what Ozma wanted, but the creation of the Forbidden Fountain containing the Water of Oblivion and sending Ann and her army out of Oz seem a little odd in nature.

One could argue that Glinda created the Water of Oblivion for the good of the people (though I did once reflect that that could be why we have such sketchy stories about the pre-Wizard history of Oz), but we have to wonder, what if Glinda actually used this to make the King of Oz more agreeable so she could take the Quadling Country? If this was the case, then we seem to have a case of Glinda clearly manipulating what goes on in Oz for her benefit. (Though the Quadlings seem to have no complaints about Glinda.)

Some fans note how often Ozma depends on Glinda's advice. Is Glinda using Ozma as a puppet? So far she seems to be operating with everyone's best interest in mind. Maybe some are trying to read sinister characteristics into her. However, I'd like to remind you that Omby Amby only said the Quadlings believe that she's a good witch. If Glinda has some sinister motives, then she either keeps them hidden really well, or she has some great plan that she seems to be waiting for centuries to bring to fruition.

In the later Oz books, Glinda does arrive at the Emerald City unannounced and uncalled for, the one springing to mind first being The Cowardly Lion of Oz. But most of the time, her character is consistent with what Baum established.

But in any case, Glinda seems to be quite trustworthy and a great ally, as well as quite friendly to those who ask for her help.

Even if she is just biding her time.

Tuesday, June 18, 2013

Guess where I am?

As this post goes live, I'm actually on a Greyhound bus on my way to the Winkie Convention! Sam and—for the first time—Shawn Maldonado will be going as well.

To get topics cleared off my head, I wrote some blogs ahead of time and there will be new entries every weekday this week. Next week, Mike Conway says he'll try to come up with something, and I'll be back with audio for a new Winkie report podcast, which will be hopefully better than last year's. (I really buckled down and finished the last podcast because I didn't want an unfinished one waiting for me when I got back.)

Also, I should be able to report about a lot of Oz books after I get back! I'll be proofing my copy of Royal Explorers of Oz: Terra Obscura (I guess it's no longer The Scourge of the Crescent Moon) and I have seven books from Chris Dulabone to enjoy on my trip there, and I'm told there will be new Oz books for sale.

So, I'll be blogging again when I get back, and for those of you going, I'll see you there!

The Non-Fiction of L. Frank Baum

It's no secret that L. Frank Baum is mainly known for his fiction. However, he wrote non-fiction as well. During his early years, he wrote and published a little newspaper for the neighborhood, The Roselawn Home Journal, and later bought a new press and began a new little paper called The Empire and a circular called The Stamp Collector. The three non-fiction books found in Baum's bibliography all take after some of his hobbies or methods which he'd written of before in periodicals.

His first book, Baum's Complete Stamp Dealers Directory (1873, he was about 17 at the time), was the result of The Stamp Collector. Unfortunately, I have not been able to see a copy of any type, so I cannot tell you anything other than it was his first book, intended to aid stamp collectors by listing dealers.

We're more lucky with what is more widely considered his first substantial book: The Book of the Hamburgs. Books of Wonder issued a reprint in hardcover and paperback and a print on demand edition is now available that is seems to be identical to it. Archive.org also has a complete version scanned available for downloading and viewing online.

The book appeared in 1886, and was a result of Baum's magazine The Poultry Record, which was published during the 1870s. I've seen claims that the book is an edited version of excerpts from the magazine, but I can't attest to that. It does seem to flow very well.

The book focuses on the care and breeding of the hamburg variety of chickens, particularly in efforts to create good-looking fowl to win prizes. This stemmed from Baum's own chicken farming, which many believe is what makes Billina in Ozma of Oz such a successfully executed character.

The final of Baum's non-fiction books is a result of his magazine The Show Window. As part of his brief stint as a traveling salesman, Baum offered advice for decorating windows of dry goods stores. His advice worked, so he created the magazine to assist store owners to decorate their windows quite attractively. The resulting book was titled The Art of Decorating Dry Goods Windows and Interiors.

Although the book has not been reprinted, it has gained notoriety because it was published in 1900, the same year The Wonderful Wizard of Oz was published. After that, Baum never produced another book of non-fiction, aside from editing his wife's book In Other Lands Than Ours.

In Hamburgs, Baum speaks with a voice of professional, authoritative experience, and I should not be surprised to find the same voice in the other two books. (That is, if Baum's Complete Stamp Dealers Directory isn't just a list of where to get collectible stamps in 1873.) It is a very different voice than we see in his works of fiction, but it is still a friendly one all the same.

Monday, June 17, 2013

The Royal Podcast of Oz: The Movies of Oz — Toho's The Wizard of Oz

Jared and Sam discuss the classic anime film adaptation of The Wizard of Oz featuring Aileen Quinn and Lorne Greene.

As always, you can listen and download at the podcast site or use the player below.
       

   
   
   
   
   
   

   
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Friday, June 14, 2013

Oz Reimagined

I was at the library, getting ready to make print-outs (I have very bad luck with home printers: they always seem to mess up on me), when I noticed a book on the shelf: Oz Reimagined: New Tales from the Emerald City and Beyond. Thanks to John Bell, I'd already heard of the book, but didn't have a huge urge to buy it.

I'm not sure which camp I'm in. While I do feel like shouting "People have 're-imagined' Oz to death already! Why do MORE OF IT???" I often do check these versions out anyway, and sometimes I really enjoy them.

Well, since I wouldn't have to lay down money for this one (as long as I returned it by the due date), I decided to give it a shot.

The book is available as a paperback, an audiobook, a Kindle edition, or you can get each story as an individual Kindle e-book.

A rather nice introduction by Gregory Maguire opens the book, and is followed by fifteen short stories by different authors, each presenting a "re-imagined" version of Oz. As you can already guess, each story needs to be taken on its own. Not every story will be loved by everyone. As such, a number of these stories contain profanity and references to sex, so young readers should steer clear of this one.

The Great Zeppelin Heist of Oz by Rae Carson and C. C. Finlay is almost "Oz canon"-worthy. Aside from having Scraps appear (and a disturbing union of witches at the end), it would work as how the Wizard tried to defy the Wicked Witch of the West shortly after his arrival. A rather good story, anyway.

Emerald to Emerald, Dust to Dust by Seanan McGuire almost works as a follow-up to Oz as we left it with Baum, just kind of ... corrupted. Ozma has turned her priorities to politics rather than friendship, and Dorothy and Jack Pumpkinhead are among the people she's kicked out of the palace because they proved to be too much of a liability. A now adult Dorothy lives with her girlfriend Polychrome and serves as the new Wicked Witch of the West. Dorothy and Jack are called to investigate a curious murder. A rather fine story that only made a few disturbing twists on the Oz we all know and love.

The Lost Girls of Oz by Theodora Goss takes a similar route. A young American woman finds her way to Oz, just like a number of other girls who have wanted to run away from home. But Oz is not just a refuge. Ozma has bigger plans now. Think Queen Ann of Oogaboo-type plans... Again, Oz with a disturbing twist.

The Boy Detective of Oz by Tad Williams is almost an Oz story, and would work fine, except they make it clear that it's not actually Oz where the story takes place. It's a simulation where a ghost of a boy detective named Orlando lives. (I think Mr. Williams has been watching a bit of Doctor Who.) Omby Amby is found mysteriously decapitated and it's up to Orlando to find out what happened. A fine story, and would be better if it wasn't for the needless references to how it's all a simulation.

Dorothy Dreams by Simon R. Green finds an elderly Dorothy, who visited Oz only once, in a nursing home when she suddenly finds herself back in Oz, and there is some explaining that needs to be done. It's a sweet story, but not very substantial.

Dead Blue by David Farland is a rather weak re-imagining. The Cyborg Tin Man is smelling his human parts rot as he waits to be rescued by Dorothy, who has just killed the Wicked Witch of the West and decides to take her place. And that's pretty much it.

One Flew Over The Rainbow by Robin Wasserman basically sets the story of The Wizard of Oz into a mental institute. Corrupt caregivers and other unpleasant patients fill the roles. Also includes rape and drug use. Definitely one for the kids to skip over.

The Veiled Shanghai by Ken Liu is a welcome change of pace. Again, it retells The Wizard of Oz, but rather cleverly sets it in Shanghai by offering a fantasy version of the May Fourth Movement. The reworking is quite clever indeed and very charming.

Beyond the Naked Eye by Rachel Swirsky sets the events of The Wizard of Oz as a competition being watched from the Emerald City by a panel of judges. While it's an interesting take, reminiscent of The Hunger Games or Doctor Who's Vengeance on Varos, overall, this one feels rather uninspired.

A Tornado of Dorothys by Kat Howard maintains that the events of The Wizard of Oz are recurring, with a new Dorothy arriving, taking the role of the new Wicked Witch of the East, until one Dorothy decides to change it. Really, I was reminded of the webcomic Namesake, which I much prefer.

Next up is Blown Away by Jane Yolen. I was cynical approaching this one, as I'm rather aware that Yolen has fallen rather out of love with Oz, despite loving it as a child. Told from a farmhand's perspective, there's no Oz here. There are two tornados: the first blows away Dorothy's dog Toto, killing him. A neighboring taxidermist stuffs the dog which Dorothy pulls around after her in a wagon. (Creepy!) Later, Dorothy is caught in the house during another tornado, which blows it and her away, leaving her missing for a long time. However, Dorothy has instead joined with a circus and makes some odd friends.

City So Bright by Dale Bailey offers a cruel vision of the Emerald City after an industrial revolution, the worst aspects of which are made clear when a worker falls to his death, and his friends' first thoughts are that they don't envy who's got to clean that up.

Somewhat controversial is the next story, because it's by Orson Scott Card. He's made it very clear that he's in opposition to efforts for equality for LGBT people, however, the Oz fan base is largely composed of such people, yours truly included.

His story, Off To See The Emperor, is set in Aberdeen during the time the Baum family lived there. Frank Joslyn Baum (the eldest of the Baum boys) is the main character, who meets a girl named Theodora, commonly called "Dotty." She takes him on a mysterious trip into the country to meet the Emperor of the Air—the plot closely mirroring The Wizard of Oz—as she looks for her late mother's missing ring. Frank's recount of the story is supposed to have inspired his father to write the first Oz book. It's actually not too badly done, I must admit.

But since Card made it historical fiction, I was bothered by his making serious errors about Baum's life in Aberdeen. According to his story, Baum wrote the "Our Landlady" column for The Aberdeen Saturday Pioneer, when in fact, Baum ran the entire paper, which was not—as Card leads us to believe—the town's main paper. Also, he can't help but have Theodora tell Frank that his father hates the Indians, which I've pointed out is not a fair assessment of the situation. (I do not take historical fiction lightly, particularly when it's about people I've researched.)

A Meeting In Oz by Jefferey Ford has Dorothy return to Oz after years of living as an adult, only to find the population nearly decimated because Ozma tied the welfare of her land to Dorothy. A very disturbing story, and as another review notes, all talk, no show.

Finally, the excellent story The Cobbler of Oz by Jonathan Maberry closes out the book. The story tells how the Silver Shoes came to be as a young girl winged monkey named Nyla asks a cobbler for a pair of shoes. Her wings are too small to fly. A very sweet story that can easily work with the Famous Forty with a deliciously wicked twist at the end. (It took me a moment to understand the twist, but that made it all the better.)

Overall, if you're still interested after my review, check the book out. If you like getting stories for your Kindle, you can search "Oz Reimagined" on Amazon to find the stories individually, if you'd prefer to read just a few of them.

Will I get my own copy? Maybe.

Thursday, June 13, 2013

The Characters of Oz — Oscar Diggs, the Wizard of Oz

Because the Wizard's story is so complicated (and I've discussed it before), I offer instead: storytime with Jared!
 Once upon a time, a politician had a son. He was so thrilled that he gave the child the longest name imaginable: Oscar Zoroaster Phadrig Isaac Norman Henkle Emmanuel Ambroise Diggs. It would be a long time before the boy would remember all nine of his names, until he realized that his initials spelled "OZPINHEAD." Oscar knew he wasn't a pinhead, so he decided to just go by "Oscar" or by his first two initials: "OZ."

Oscar became enamored with performing feats of spectacle. His father initially supported this hobby until he thought his son should leave it behind and look into a serious career. But Oscar had no interest in politics: he just wanted to stun people by the masses! So he decided it was time to leave home.

Stunning audiences with sleight of hand, ventriloquism and illusions, Oscar got extra work as a balloonist, going up in a balloon to draw people to the circuses he would find work with.

One day, though, he had an accident with the balloon and got blown away. He was stranded in his balloon for a whole day and night. The next morning, he found himself over the Land of Oz.

When Oscar landed in Oz, things were not going well. The previous king of Oz, Pastoria, was believed to be dead and the wicked witches held their sway over all the people.

The people of Oz and the Wicked Witches had not seen tricks like Oscar's and were fooled into believing that he was a great Wizard, arrived to be their new ruler. He had them begin to build a new capitol city. It would be studded with emeralds. When supplies began to run low, he had green spectacles made to make the people see the entire city as green.

At first, Oscar tried to launch a force to free the Winkies from the Wicked Witch of the West, who had recently enslaved them with the Winged Monkeys. But the Wicked Witch decided to use the Golden Cap again to hold her newly-gained power over the Winkies. The Wizard, fearing for the safety of his forces, withdrew them in defeat.

As Oscar examined the center of the Land of Oz, he discovered the old home of King Pastoria called Morrow. Hiding in it was the surviving nursemaid of Pastoria's children, with a baby she identified as Pastoria's daughter Ozma.

Oscar didn't know what to do with the baby. He was not going to be in a position to care for the baby, particularly with the Wicked Witches liable to attack. Finally, he had an idea: who better to protect the baby from Wicked Witches than someone who understood their ways? He heard of a witch called Mombi who had been conquered by the Good Witch of the North, but was still living in a humble cottage.

Over the course of three visits, Oscar made Mombi promise to care for Ozma in return for allowing her to practice magic that would not be so easy for the Good Witch to trace, rather like his own sleight of hand, teaching her a few tricks himself. As such, Mombi took up the role of sorceress, working with potions instead of heavy enchantments. Oscar promised her that he would be able to detect if Ozma was harmed, and that if that occurred, Mombi would be punished. They agreed that when Ozma came of age, Mombi would take her to the Emerald City to take the throne.

Deciding that sneaking around Oz was inviting danger and exposure, Oscar decided to stay in the palace, only venturing out into the Emerald City in disguise, having only one servant—a Gillikin girl named Jellia Jamb—to care for the palace. The fewer people around, the better. To maintain regal appearances, some well-to-do citizens of the Emerald City were allowed into the courtroom of the palace, but never into the throne room itself.

The scheme worked, and the mysterious nature of the Wizard soon became storied throughout the Land of Oz, the Wicked Witches believing that they lacked enough power to defy him.

Then, one day, about ten years after Oscar arrived in Oz, word reached the Emerald City that a house had fallen from the sky and killed the Wicked Witch of the East. It was said that a new witch had done the deed. Within a week, this "new witch" arrived at the Emerald City, accompanied by a small, black dog, a live Scarecrow, a living man made of tin, and a lion. They requested audiences with the Wizard, which Oscar was cautious about, until he heard the new witch had the mark of the Good Witch of the North.

So it was that Oscar Diggs met Dorothy Gale. Hoping beyond hope that Dorothy could also rid Oz of the Wicked Witch of the West, he granted the audiences. Oscar realized that Dorothy was nothing but a little American girl, but perhaps fortune would find Oz in its favor again. After all, Dorothy was protected by the Good Witch of the North, so nothing bad could happen to her. And if Dorothy would not kill the Wicked Witch, then she would be safe inside the Emerald City at least.

Most curious was Dorothy's desire to return home to Kansas. Oscar had long since given up on leaving Oz, deciding that this was where he was going to end his days, but her request made him realize he'd actually like to see his homeland again before he died. But, aside from a way to leave Oz, he would be leaving the Emerald City vulnerable. Thus, he couldn't leave unless the Wicked Witches were both gone.

Oscar used disguises to see Dorothy and her friends. He was well-versed in stagecraft and illusion by this time, so his guises managed to convince Dorothy and her friends that he was the mighty Wizard.

To Oscar's relief and surprise, Dorothy actually went west with her friends to destroy the Wicked Witch. But after a week went by, Oscar despaired, thinking that he had doomed Dorothy to live as the Wicked Witch's slave.

So imagine his surprise when—much later—Winged Monkeys were spotted over the Emerald City, not attacking, as he would have feared, but bringing Dorothy and her friends back with word that the Wicked Witch of the West was dead. But now that the Wicked Witches were gone, he was not sure how he could send Dorothy back home. If he sought the help of one of the Good Witches, he'd face exposure. As such, he delayed seeing Dorothy again.

Finally, Dorothy threatened to summon the Winged Monkeys if another audience was not granted. Not wanting to be exposed this way, Oscar granted it at last. Seeing all of them at once, he just threw his voice, pretending to be invisible. But when he said he needed more time to think their requests over, they got angry. The Lion roared and caused Toto to tip over the screen that served as Oscar's cover. He was at once exposed to them, so he made his case plain and clear.

The Scarecrow, Tin Woodman and Cowardly Lion were made to believe that they were given what they needed in the form of bran and pin brains, a plush heart, and a drink Oscar would call "Courage." But Dorothy's request needed more thought. Finally, Oscar decided to leave Oz the way he arrived: in a hot air balloon. After building one and naming the Scarecrow as his successor, the balloon left with Oscar, but without Dorothy.

Oscar was sorry that he could not help Dorothy, but he looked forward to going home again. During an unrecorded adventure, the Wizard obtained nine tiny piglets from a pig couple in the Munchkin Country and somehow managed to make his balloon float high and far enough to leave Oz and arrive back in America.

Having little money, Oscar took to doing tricks with the piglets. Deciding not to tell people too much of Oz, he invented the story that they came from the small island of Teenty-Weent. He told this story so much, that he soon began to accept it as the truth in his own mind.

Saving enough to get by, Oscar took up with Barnum and Bailey's Consolidated Shows and joined the circuit, looking to visit with his old friends again. But he discovered something strange: he had not aged much while he lived in Oz. But ten years of hard work had taken their toll on his friends. Some of them had died, some had not aged well. Others he simply could not find. Also puzzling was that the tiny piglets he brought from Oz never grew any larger. But that was fine, as that meant he could keep up his act.

Oscar eventually expanded his repertoire with a collapsible sword act and a pair of revolvers and even began running a hot air balloon again.

While running his balloon in California one night, there was an earthquake. As Oscar descended, he realized he was actually descending into a crack into the ground. Realizing that it must be the end, Oscar decided to face his death bravely...

"I AM OZ, THE GREAT AND AWESOME!"
But we know how the story continues, because from this point on, it is told very well in the Oz books. The above is generally how I've had to work out the Wizard's story in my own mind. (You'll note that I've had to ignore some finely written stories about his early time in Oz: this is so in any future writings, I don't tread on any copyright toes.)

Beginning with Dorothy and the Wizard in Oz, the Wizard's story is made clear: he met Dorothy again in the underground land of the Mangaboos, and then helped her, her cat Eureka, her cousin Zeb and his horse Jim through the Valley of Voe, Pyramid Mountain, the Land of Naught, and the Den of the Dragonettes before Ozma brought them all to the Emerald City. (The Wizard asks "Ozma? Who is Ozma?" Apparently, since he thought his dealing with Ozma was done long ago, he'd forgotten about her.)

At the end of Dorothy and the Wizard in Oz, Oscar is allowed to stay in Oz as Ozma's own Wizard. He begins experimenting with gadgets and machinery, and in The Road to Oz, he's able to make large bubbles with a machine. (These bubbles dry quickly with glue, which must be some sort of glue you can only find in Oz.) In The Emerald City of Oz, he reveals that Glinda is teaching him magic, and in Baum's later work, he is able to perform great feats of magic on his own. Eventually, it is revealed that of all the people in Oz, only the Wizard and Glinda are allowed to practice magic.

He is much the same in the books of Ruth Plumly Thompson, coming up with new inventions. In John R. Neill's books, the Wizard seems to go a little more madcap, doing many amazing things that seem to be partly just for show. He also take in an apprentice: Number Nine.

So, Oscar is obviously a clever, enterprising gentleman. But some have wondered as to whether he's ever had a romance, or if he's the eternal bachelor.

Seeing as he's a politician's son who ran away and joined a circus... I'd say yes, yes he has.

Tuesday, June 11, 2013

Oz the Great and Powerful Blu-Ray review

Listen up right now... If you are still deciding what edition to get Oz the Great and Powerful in, go for the Blu-Ray/DVD combo pack! Even if you don't have a Blu-Ray player! The included DVD is exactly the same as the standalone disc, and if you ever upgrade to a Blu-Ray player, you have the HD version available.

Real quick, if you have a working printer, jump through the hoops to get this coupon, unless you'll be purchasing your copy online or after June 14th.

I bought my copy early this morning at Wal-Mart, where it sold for $19.95 (though the price was listed on the shelf for $10 more). With the above linked coupon, it was $12.95 before taxes. (It can be used at other stores.)

The combo pack also offers additional value if you have a Disney Movie Rewards account (which is part of what the above coupon-getting process requires). Instead of a disc to hold a digital copy, for the first time, Disney is distributing the digital copy for iTunes download, Amazon Instant Video, or (and I was most excited about this) Vudu. I went for Vudu, since I have it available on my Blu-Ray player. This means that instead of grabbing the disc, I can bring it up in Vudu and watch the movie by streaming on my computer or Blu-Ray player (or whatever Vudu-available device I might get in the future).

The additional value includes entering you in the Oz the Great and Powerful sweepstakes (your purchase gets you a free entry with Disney Movie Rewards), where someone will win a trip to the Albuquerque International Balloon Festival. 50 first prize winners will get a set of Oz the Great and Powerful toys, and 50 second prize winners will get copies of the soundtrack CD. (For once, the second prize is much more desirable to me.)

Also, the rumored offer to get the 3D version of the film for just $5.99? It's real. I already put in my order (despite lack of a 3D setup, but it's Oz!), and this uses the same code you use for the digital copy. No more clipping a proof of purchase off your copy's sleeve and mailing it in. (There is also no surprise surcharge for shipping.) This offer will end October 31st, so if you plan on waiting to see if the price will go down, don't wait too long.

I'll likely have to get a 3-disc Blu-Ray case to repackage the set, but since I've been doing that recently with other Blu-Ray and DVD titles anyway, I'm not really complaining.

Also some extra value (for me anyway) came with an $8 certificate to put towards Disney's next hopeful blockbuster The Lone Ranger. My dad's always been a Lone Ranger fan, so I managed to give it to him as an early Father's Day present. (If you want to shave that off as a discount, after the coupon, the 3D disc offer, the cost for the set is $10.94.)

As you can expect, the film looks and sounds perfect on Blu-Ray, offering a clear picture. The DVD also looks great, though while I was buying the film, I noticed they were playing it on many TVs on display and the standard definition really suffered on the larger ones. Very much, the DVD will suit you fine if you still have a small screen. (Which I actually do.) The idea that you might eventually upgrade is why I recommend the Blu-Ray/DVD combo pack so you don't have to get a Blu-Ray later.

The special features are actually very fun and informative (though I do wonder what book Mila Kunis talks about when she says she read a book as a child called The Return to Oz). However, while they give a nice look at the making of the movie (particularly James Franco's "My Journey in Oz" piece), it seemed that most of them would really be better if they had been part of a larger "making of" feature.

There are also bloopers which are family-friendly and actually rather funny, and a piece about Walt Disney's desire to make Oz into a film, focusing quite a bit on The Rainbow Road to Oz. There's quite a bit of good stuff here, including interviews with Mousketeers Doreen Tracy and Bobby Burgess. Return to Oz does get a nod, though they make it clear that it's not the Oz movie Walt Disney would have made. The Muppets Wizard of Oz does not get a mention at all.

The downside to the special features is the Second Screen experience. There's a couple more features about the making of, and a piece about the characters of the film. The problem is, you can't see these unless you have a second generation or later iPad. Which I don't have. And don't really want. I'd hope that someone could sneak them onto YouTube, except our friend Ryan Jay reports that he can't get his to work. There's also Mariah Carey's "Almost Home" music video, but that is on YouTube.

Despite the Second Screen disappointment, the package is still pretty satisfactory nonetheless. Especially if you can get it at a really good price.